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S.No | Particular | Page No. | |
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1 |
Dr. Manjari JohriAbstract: Harold Pinter, the much proclaimed playwright carved a niche with his plays which centered on day to day experiences and which attempted to crystallize fragmentary moments in human interaction. These moments are translated into experiences that human beings can relate with in varied circumstances- as one travels in a train, or takes a bus, or more pointedly spends some time in the waiting room, or within the confines of one‘s workstation at his/her office. |
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1-11 |
2 |
Rajesh KumarAbstract: The feminist critics generally propagate a prominent notion that gender is a cultural and social construct resulting from the androcentric or patriarchal ideology which treats women as subservient to men. |
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66-72 |
3 |
Satish Kumar, Rajkumar SainiAbstract: The present research paper is About ‘Treatment of the Myth and individual in Amish Tripathi’s The Immortals of Meluha.’ It deals with individual in the context of the myth. Myth refers to a folk tales which is told by our grandparents and is based on unknowing able facts that becomes parts of our society with the passage of time. |
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73-78 |
4 |
Dr. Usha SharanAbstract: The word heritage implies inheritance, and inheritances acquire an immense connotation whenever we regard it as something beyond parental legacy. Heritage is a cultural construct which embodies in several forms, the existence of a veritable past. It functions as a source, a root which provides ground for a continuous growth of societies, cultures, languages and human values related hitherto in all their hues, in all dimensions. The legacy which we inherit provides the ground on which our existence rests and finds nourishment for growth. Our heritage is what we stand upon, the strength which enables us to take ourselves further in the world, with pride and dignity. This construct, which is an integral part of our psyche engenders a discourse which shapes and models our concerns and issues on which our existence as a social entity is defined. |
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86-97 |
5 |
Dr. Chetana PokhriyalAbstract: This research paper illustrates the identity crisis in diasporic cinema within the context of complex interplay of postmodern discourses, addressing issues of militarism, insurgency, and the clash of multicultural narratives on a national scale. The issues of coexistence of cultures verging on cultural relativism emphasizes upon inherent cultural values is discussed. The concept of multiculturalism with the duality of approach in the developing world that identify it as an objective is illustrated using novel The Namesake written by Jhump aLahiri and film director Mira Nair who has recognized her reputation as a filmmaker of substance with the film adaptation of this novel. |
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95-105 |