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| S.No | Particular | Page No. | |
|---|---|---|---|
| 1 |
Olalere Kunle Oluwafemi, Adedokun Temitope RuthAbstract: Emerging trends in socio-political discourses in recent times have dwelt largely on the comparative study of parallel frameworks and political theories in the works of Western and African scholars with the aim of identifying seemingly familiar grounds that can be adopted in forging a common ground. |
 |
1-8 |
| 2 |
Pratiksha1, Dr. Deepak Kumar Singh2Abstract: Behind the realm of a diasporic writing or diasporic 'discourse' the core genesis of perception and understanding principally relates to the historical and socio-cultural junctures and dimensions through which the populace of |
|
8-13 |
| 3 |
|
|
60-65 |
| 4 |
Purushotam DassAbstract: Modern society is a progression from the past, and in this progression, our civilization has changed a lot. There is a need to re-establish connections with the past to understand the ways in which we have progressed and the mistakes we have committed as a community. The need of the hour is to find ways in which awareness of the past is manifest in our modern consciousness to pave the path for our progress. The paper “Connections with the Past: A Must for Modern societies†critically explores the historical past and manifests its significance in our lives. |
|
66-71 |
| 5 |
M. Sridhar KumarAbstract: This paper deals with the nuances of English language used in the domain of Engineering. |
|
52-59 |
| 6 |
Dr Hari PrasadAbstract: The Irish theatre has been a significant platform for cultural expression and socio-political discourse. Throughout its history, however, it has also witnessed several instances of riots, where conflicts stemming from differing ideological, cultural, and nationalistic viewpoints erupted into violence. This paper seeks to analyze the causes, events, and outcomes of these riots, shedding light on the broader implications for Irish society and its artistic landscape. Each riot can be attributed to a complex interplay of socio-political factors, including religious conflicts, national identity struggles, economic inequality, and cultural representation disputes. The paper examines how these elements interacted within the specific historical context of each incident, contributing to the eruption of violence. Riots in the Irish theatre provide valuable insights into the complexities of socio-political interactions within the cultural domain. By understanding the causes, events, and outcomes of these riots, we can better appreciate the significance of theatre as a reflection of society and as a tool for shaping collective identity. |
|
92-99 |
| 7 |
Dr Alka SharmaAbstract: Khalid Ahmad’s play ‘Come and See My City From Here’ offers a searing examination of violence both internal and external that pervades the socio-cultural fabric of Karachi. By blending scripted text with improvisation drawn from actors’ lived experiences and real news reports, the play collapses the boundaries between performance and reality. Violence manifests not merely as physical brutality such as parental loss, police torture, rape, gang warfare but also as psychological trauma, moral decay and existential despair, entrenched across gender and communal lines. Characters like Munna, driven from shyness to bloodlust, and Nasir (Asad), whose guilt over murder and social marginalization culminates in suicide, highlight how systemic injustice and frustration distort human identity. The play’s portrayal of partition-era massacre alongside contemporary ethnic strife underscores the cyclical nature of communal violence. Even the seemingly minor act of teasing a wounded dog gestures at entrenched cruelty. Through evocative scenes from children mocking violence to women punished for seeking justice, the play insists that violence operates at structural and personal levels, echoing Karachi’s enduring turmoil. Ahmad’s work, thus, dramatizes violence as a force that corrodes society, memory and morality, urging audiences to confront its omnipresence in both public and intimate spheres. |
|
92-98 |
| 8 |
Dr Vidya M JosephAbstract: The paper tries to understand the interplay of politics, ideology and individual experience in the novel The Book Thief written by Markus Zusak. Through the portrayal of Nazi Germany through some memorable characters, Zusak navigates the complexities of a society consumed by fear and fanaticism, while also celebrating the resilience of the human spirit in the face of adversity |
|
110-114 |
| 9 |
डॉ. नीलमAbstract: संसद और भारतीय लोकतांत्रिक प्रक्रिया भारतीय राजनीति और सरकार व्यवस्था के महत्वपूर्ण पारंपरिक तंत्र हैं। संसद, भारतीय संविधान के अधीन एक महत्वपूर्ण संस्था है, जिसका कार्य विधानन, नियमन, और नेतृत्व के माध्यम से देश के प्रशासनिक कार्य को सुनिश्चित करना है। भारतीय संसद में लोकसभा और राज्यसभा शामिल हैं, जो केंद्रीय और राज्य स्तर के प्रतिनिधित्व का कार्य करते हैं । संसदीय प्रक्रिया के तहत, विधानसभा और राज्यसभा विधेयकों का परीक्षण, संशोधन और मंजूरी का कार्य करते हैं। इसके अलावा, उनका कार्य नीतियों और कानूनों के गठन में सहायक होता है। भारतीय लोकतंत्रिक प्रक्रिया में जनता की भागीदारी और प्रतिनिधित्व महत्वपूर्ण है, जो निरंतर चुनावों के माध्यम से व्यक्त किया जाता है। भारतीय संसद और लोकतंत्र की अद्वितीयता उसके लम्बे इतिहास, विविधता, और सामाजिक संरचना में निहित है। यह संस्था न्यायप्रिय, समानताप्रिय, और सांविधानिक मूल्यों के प्रति समर्पित है और भारतीय लोकतंत्र की आधारशिला है। |
|
115-121 |
