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| S.No | Particular | Page No. | |
|---|---|---|---|
| 1 |
Aradhna kamraAbstract: The present work is about the reflection of history in the novels of Shashi Tharoor. The work includes his two valuable novels such as The Great Indian Novel, An Era of Darkness: The British Empire. The research focuses on thematic focus of his work which reveals his sense of pride in Indian culture, heritage and history. The Great Indian Novel retells the political history of 20thcentury India which records political history of modern India on the structure of great Hindu epic the Mahabharata |
 |
1-11 |
| 2 |
डॉ.प्रकाश कांबळे,Abstract: तत्त्वज्ञानाच्या जागतिक इतिहासामध्ये चैतन्यावाद व जडवाद किंवा अध्यात्मवाद विरुद्ध भौतिकवाद असे दोन तट आहेत.अर्थात भारतातही हेच दोन मुख्य तट आहेत.चैतन्यवाद पारलौकिक जगाचा विचार करते,तर जडवाद इहलोकाचा विचार महत्त्वाचा आणि मुलभूत मानते.जगाची निर्मिती कशी झाली याच्याशी जडवादाला घेणेदेणे नाही,तर हे जग स्वतःच्या पायावर कसे उभा राहील हे पाहणे तत्त्वज्ञानाचे काम असते हे जडवादाचे प्राणतत्त्व. म्हणूनच भारतीय विचारदर्शनातील पारंपरिक संघर्ष हा पश्चिमी परंपरेप्रमाणे अध्यात्मवाद विरुद्ध भौतिकवाद असा नसून तो ब्राह्मणी विरुद्ध अब्राह्मणीअसे असल्याचे पुरेसे स्पष्ट झालेले आहे. भारतातील एकूण तत्त्वविचार या दोन छावण्यामधील अंतरक्रियेमुळे निर्माण झालेला आहे हे लक्षात घेणे आवश्यक आहे.प्रस्तुत शोधनिबंधामध्येतथागत गौतम बुद्धांनी जो दार्शनिक संघर्ष केलेला आहे त्याचा विचार करावयाचा आहे.हे करत असतांना तथागतांचा संघर्ष कोणत्या दर्शनाशी झाला,या संघर्षाचे स्वरूप कसे होते व या संघर्षात त्यांनी कोणत्या शस्त्राचा अवलंब केला,याचा विचार केला जाणार आहे. |
|
12-16 |
| 3 |
Dr. Sangeeta SharmaAbstract: Shashi Deshpande is one of the Indian Writers who has created a niche for herself by virtue of her writings which make her stand out of crowd of Indian Writers in English. Starting her journey as a writer by writing Fiction for children, she delves deeper into the realms of writing about women. She has been continuously denying the label of being feminist yet she continues to write about phallocentric perspective prevalent in the society in general and Indian society in particular. Very categorically, she asserts that the ideas of feminists like Kate Millet and Simone De Beauvoir can’t be taken as the standard paradigms for the Indian writers as well as the Indian readers. Having authored around twelve short story collections, nine novels and many prose writings in the form of essays. She is recipient of great awards like Sahitya Academy Award and Padam Shree. Being the daughter of famous Kannada dramatist and Sanskrit scholar, she has art and literature in her blood which magnetized her to pursue career in journalism in spite of having degree in Economics. |
|
17-20 |
| 4 |
DR .FOYZAL HOQUEAbstract: John Donne, who is largely regarded as the founder of metaphysical poetry, revolutionized the literary norms of the seventeenth century in England by combining intellect, spirituality, and passion in a novel way. Donne's verse is distinguished by striking imagery, complex conceits, and philosophical contemplation, in contrast to his Elizabethan forebears who mostly relied on ornamental language and pastoral subjects. In his poetry, contradictions—body and spirit, love and religion, life and death, mortality and eternity—are sought to be reconciled intellectually. With an emphasis on Donne's creative conceits, argumentative structure, dramatic tone, paradoxes, and the blending of sensuality and spirituality, this essay examines the main metaphysical elements in his poetry. The Flea, The Good-Morrow, A Valediction: Forbidding Mourning, and Holy Sonnet X are just a few of the works that may be closely examined to show how Donne used wit and intellectual rigor to delve into the intricacies of human relationships and heavenly truths. The study also emphasizes Donne's interaction with modern philosophical and scientific concepts, demonstrating how his poetry captures the conflicts of a time of intellectual change and religious strife. In the end, the essay makes the case that Donne's metaphysical writing style not only transformed poetic expression but also established a new standard for combining lyrical passion and intellectual inquiry in English literature. |
|
21-33 |
